On one gallery wall, a short documentary montage focuses on two key events -the global day of action that took place on October 15th 2011, where Occupy Wall Street spread almost spontaneously to over 900 cities worldwide, and then a systematic crackdown on many of the camps that had emerged taking place from November 2011.
A synchronous compass floor projection interacts with the montage showing where each clip originated in relation to the geographical location of the artwork offering a direct physical relationship between the viewer and the provenance of the footage on a 1:1 scale, thus placing the viewer in the centre of this tele-visual data visualisation. |